Both an artist and a teacher, Katsushika Hokusai published in 1814 the first volume of a series of art handbooks entitled Hokusai Manga, a collection of sketches of animals, people, objects… covering “all things in the universe”. Initially produced as reference books for art students, fifteen volumes in total were released over 64 years, some of them posthumously. The books got an enormous public success, going far beyond their initial pedagogic aim. A box of three volumes was recently reprinted by the japanese publisher Seigensha.
Hokusai Manga, re-issued by art publisher Seigensha in 2011.
Originally block-printed in three colours (black sumi, light black sumi, and light vermilion), the book was published during Edo’s period, during which book publishing became an important commerce in Japan. Edo was also the period during which the tradition of manga, meaning drawn pictures, was born and became very important in Japan’s popular culture. Manga became also very successful in the Western world, exported by collectors, and later evolving into the narrative form we know today worldwide as japanese comic-books.
Fugaku hyakkei 富嶽百景, by Katsushika Hokusai, 1834, Volume 1 of 3 (fukurotoji “japanese” binding, woodblock printed, 22.9 x 15.8 cm).
Seirōbijin awase sugata kagami 青楼美人合姿鏡, by Kitao Shigemasa and Katsukawa Shunshō, 1776, Volume 1 of 3 (fukurotoji “japanese” binding, woodblock printed, 27.9 x 18.6 cm).
Chiyomigusa 千代見草, by Nishikawa Sukenobu, 1733, Volume 1 of 3 (fukurotoji “japanese” binding, woodblock printed, 28 x 19.2 cm).
The 970 pages of Hokusai Manga contain more than 4000 drawings, representing landscapes, plants, animals, human figures, objects of the daily life and supernatural scenes.
Hokusai Manga resembles a visual encyclopedia. It is an inventory of objects and figures ordered by theme, arranged in compositions, plates, situations and small narrative structures. The book also uses interesting compositions forming narratives: pannels, etc.
Hokusai manga 北斎漫画, volume 1, by Katsushika Hokusai, 1815, 23 x 16 cm. Note the figure of the artist ready to draw in the top right corner of the left page.
Hokusai manga 北斎漫画, volume 1, by Katsushika Hokusai, 1815, 23 x 16 cm. Note the figure of the (manga) book reader at the top of the left page.
Hokusai manga 北斎漫画, volume 1, by Katsushika Hokusai, 1815, 23 x 16 cm. Encyclopedia picture plates-like composition.
Hokusai manga 北斎漫画, volume 1, by Katsushika Hokusai, 1815, 23 x 16 cm. The frame and the double spread.
Hokusai manga 北斎漫画, volume 3, by Katsushika Hokusai, 1815, 23 x 16 cm. Divison of the frames into other frames.
Hokusai manga 北斎漫画, volume 3, by Katsushika Hokusai, 1815, 23 x 16 cm. Perspective and figures, one of the most didactic spread.
Hokusai manga 北斎漫画, volume 6, by Katsushika Hokusai, 1815, 23 x 16 cm. Change of orientation.
Hokusai manga 北斎漫画, volume 8, by Katsushika Hokusai, 1815, 23 x 16 cm. Faces study.
Hokusai manga 北斎漫画, volume 8, by Katsushika Hokusai, 1815, 23 x 16 cm. Going out of the frame.
Hokusai manga 北斎漫画, volume 9, by Katsushika Hokusai, 1815, 23 x 16 cm. Floating world.
Hokusai manga 北斎漫画, volume 9, by Katsushika Hokusai, 1815, 23 x 16 cm. Note the figure at the top of the left page, almost using the frame of the drawing to hang the wet clothing.
Hokusai manga 北斎漫画, volume 11, by Katsushika Hokusai, 1815, 23 x 16 cm.
Hokusai manga 北斎漫画, volume 12, by Katsushika Hokusai, 1815, 23 x 16 cm. Note the architecture and the composition of the space with pannels and frames.
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Volume two of Seigensha’s Hokusai Manga box is subtitled The Whole Earth Catalogue. This name that resonates with the 1970s eponym project by Stewart Brand that recently regained interest from the art scene.